Themes
1
Nothingness
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Lear loses everything: his kingly status, his family, his mind.
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Lear has to come to terms with his own ‘nothingness’ as a man – instead of seeing himself as ‘constructed’ king.
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Gloucester is a second figure of authority who is reduced to nothing in order to see more clearly.
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Goneril and Regan’s so-called speeches of love are worth nothing.
2
Animals
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Goneril and Regan are compared throughout to savage animals; they are cruel and inhuman.
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Goneril and Regan are destroyed by their own animal instincts.
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Albany describes Lear’s daughters as ‘tigers not daughters’.
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Gloucester and Cordelia describe how even a wild beast would not be turned out in the storm – as is Lear.
3
Madness
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The play presents different models of madness: Lear’s mental anguish, the Fool’s professional clowning and Edgar’s ‘Poor Tom’ disguise.
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Edgar, disguised as a beggar who would feign insanity for money, speaks in nonsensical rhyme and is plagued by demons.
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In the mock courtroom scene all is turned on its head so those who are mad are in charge.
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The Fool has special status – he has licence to speak the truth, and Lear accepts this from him.
4
Suffering
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Lear’s suffering is mental torture; it is relentless and his mind disintegrates. With Cordelia’s death his heart breaks.
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Femininity is linked to suffering; Lear rages against female sexuality, denouncing women as ‘centaurs’ – half human, half beast.
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Gloucester’s physical suffering reflects the mental anguish of Lear. They are both overwhelmed by their suffering and yearn for death.
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The violence of Edgar’s frantic speeches on the heath intensifies the suffering – they contain imagery of whipping, knives and nooses.
5
Nature
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Lear searches for reason – he asks why his daughters have such hard hearts. Is nature responsible for the chaos?
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Evil characters dominate in the play, which may lead us to think of nature as being a malevolent force.
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Lear, as king, represents the natural order. He upsets this when he fails to see Cordelia’s genuine love.
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Cordelia’s death makes it difficult to believe that the natural order ‘wins’. There is no resolution – only continued struggle.
Copyright © York Press, 2017