Themes
1
Love
-
Othello is a domestic tragedy in which love is destroyed by hate.
-
Iago’s false love subverts and replaces Desdemona’s true love.
-
Iago is incapable of love and driven by hate.
-
Emilia’s loving tribute to Desdemona when she dies reaffirms the value of true love.
2
Obsession
-
Iago’s obsession with revenge drives the main plot forward.
-
Othello’s obsession with his masculine honour leads him to destruction.
-
Cassio’s obsession with his reputation leads him to act dishonourably when he asks Desdemona to plead his cause.
-
The female characters are all powerless in the face of male obsession.
3
Jealousy
-
Iago’s professional jealousy of Cassio is the catalyst that triggers the events of the main plot.
-
Sexual jealousy is explored in all the couples’ relationships and is always destructive.
-
The sexual jealousy we see is unfounded but plausible; both Othello and Bianca are deceived by the false proof of the handkerchief.
-
Othello does not give in to jealousy too easily, as some critics have suggested. He takes a lot of convincing that Desdemona is false.
4
Male–female relationships
-
The male characters – fathers, husbands, lovers – all expect their women to submit to their authority.
-
Initially Desdemona and Othello share a more equal relationship than the other couples; each was ‘half the wooer’.
-
The female characters are objectified by the men, prized for their beauty or derided as whores.
-
Female fidelity is a key part of masculine honour in the play.
5
Revenge
-
Revenge is presented as dishonourable throughout the play.
-
Othello is degraded when he seeks revenge and he begins to act like a violent stereotype from Revenge Tragedy.
-
Iago’s desire for revenge is presented as destructive, unnatural and egotistical.
-
It is disturbing that the revenger, Iago, survives at the end of the play.
Copyright © York Press, 2017